007 had been at it for nearly 50 years when this film came about. It’s classic and innovative at the same time. It’s quite different from the previous Daniel Craig James Bond films thus far which seemed intent on shaving away everything down to the absolute bare essentials shedding the excesses of gadgetry and high spy living. While we won’t be seeing invisible cars or exploding pens anytime soon, it was nice to see the franchise being taken seriously. I, for one, missed the presence of Q (for Quartermaster we now learn) in the first two Craig films and it’s nice to see him (played with restraint and subtlety by the great Ben Whishaw) back in action here. Another vital part of the Bond franchise is reborn here but is such a refreshing surprise at the end that I’ll leave you to enjoy it/him/her.
The film opens with a chase through Istanbul foregoing the initial “Bond in the Crosshairs” intro customary to classic 007 flicks. It’s a daring chase on foot, car, motorscooter, and even atop a moving train. Bond is pursuing Patrice (Ola Rapace) an enemy agent in possession of the MI6 version of NOC list from the first Mission Impossible Film ie a list of embedded agents and their real names and faces. Bond is aided in his pursuit by Eve (the sassy and beautiful Naomie Harris) whose driving skills are top notch although her abilities as sniper could use a bit of work. The film’s opening theme begins with the sultry sounds of Adele’s Skyfall which is the best Bond theme in years at least since the 90’s anyway. The opening sequence, too is beautifully dark and gothic.